Univocal, 2013. Softcover, 84pp., 5 x 7.75 inches
Exploring the concept of time in the work of one of Europe’s greatest filmmakers
From Almanac of Fall (1984) to The Turin Horse (2011), renowned Hungarian filmmaker Béla Tarr has followed the collapse of the communist promise. The “time after” is the time when we are less interested in histories and their successes or failures than we are in the delicate fabric of time from which they are carved.